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French Studies Program

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Ongoing Events

French Language Table
: Join us every Thursday, 12:30–1:30pm, for weekly language practice in the College Room in Kline
For information, contact Odile Chilton [email protected]

News
Mason Zoeller '24 is heading to Paris this fall 2023, to pursue his studies of French with the Institute for Field Education (IFE).
Rose Mancuso '25 is also spending the fall 2023 semester studying in Paris with CUPA. 

Marina van Zuylen On Teaching Baudelaire

Marina van Zuylen, professor of French and comparative literature at Bard, appeared in a session hosted by the Teagle Foundation as part of a workshop series on methods to strengthen general education. Van Zuylen speaks about how she has taught Charles Baudelaire’s “The Bad Glazier” throughout the years, and how those teaching approaches have shifted as the needs of her students have changed over the past 20 years.

Marina van Zuylen On Teaching Baudelaire

Marina van Zuylen, professor of French and comparative literature at Bard, appeared in a session hosted by the Teagle Foundation as part of a workshop series on methods to strengthen general education. Van Zuylen speaks about how she has taught Charles Baudelaire’s “The Bad Glazier” throughout the years, and how those teaching approaches have shifted as the needs of her students have changed over the past 20 years. “This is a wonderful text because it introduces us to so many questions,” said van Zuylen. “For me this text was a perfect example of art as an escape… It’s an escape because, it’s also a text about maybe the quality of desire, the quality of when we act for reasons that we don’t ourselves understand and this is something that is so exciting about literature. Only in literature, maybe, can we get this sense that characters act in a way that is forbidden in real life.”
Listen to Marina van Zuylen discuss teaching Baudelaire

Post Date: 12-16-2024

Six Bard College Students Win Gilman International Scholarships to Study Abroad

Six Bard College juniors—Lyra Cauley, David Taylor-Demeter, Lisbet Jackson, Yadriel Lagunes, Angel Ramirez, and Jennifer Woo—have been awarded highly competitive Benjamin A. Gilman International Scholarships by the US Department of State. Gilman Scholars receive up to $5,000, or up to $8,000 if also a recipient of the Gilman Critical Need Language Award, to apply toward their study abroad or internship program costs.

Six Bard College Students Win Gilman International Scholarships to Study Abroad

Six Bard College students have been awarded highly competitive Benjamin A. Gilman International Scholarships by the US Department of State. Gilman Scholars receive up to $5,000, or up to $8,000 if also a recipient of the Gilman Critical Need Language Award, to apply toward their study abroad or internship program costs. This cohort of Gilman scholars will study or intern in more than 90 countries and represents more than 500 US colleges and universities.

Biology major Yadriel Lagunes ’25, from Clifton, New Jersey, has been awarded a $3,000 Gilman scholarship to study at Universidad San Francisco de Quito, Ecuador via tuition exchange for spring 2024. At Bard, he serves as a Residential Life Peer Counselor and a supervisor on the Bard EMT Squad. “This scholarship has made studying abroad a possibility for me,” says Lagunes. “I want to center global public health in my future career as a healthcare worker and researcher. Through travel, I hope foster cultural sensitivity and communication skills that are desperately needed in my field. I am so grateful for Gilman scholarship for this opportunity.”

French and Anthropology double major Lyra Cauley ’25, from Blue Hill, Maine, has been awarded a $4,000 Gilman scholarship to study at the Center for University Programs Abroad (CUPA) in Paris, France via tuition exchange for spring 2024. “I would like to thank the Gilman scholarship for giving me financial security and freedom abroad. This scholarship allows me to fully embrace the experience of learning and living abroad with financial worry or strain,” says Cauley.

Biology major Angel Ramirez ’25, from Bronx, New York, has been awarded a $3,000 Gilman scholarship to study at University College Roosevelt in Middelburg, The Netherlands via tuition exchange for spring 2024. “I’m very grateful to be a recipient of the Gilman scholarship,” says Ramirez. “It’s a huge opportunity to be able to pursue my goals within biology for my future in STEM. I’m excited to learn a new language abroad in the Netherlands and experience new cultures without a financial barrier. I proudly come from a family of Mexican immigrants; therefore, I feel empowered that people like me are able to partake in a change as great as this one.”

Spanish and Written Arts joint major Lisbet Jackson ’25, from Colorado Springs, Colorado, has been awarded a $4,000 Gilman scholarship to study at Universidad San Francisco de Quito, Ecuador via tuition exchange for spring 2024. “I am incredibly grateful to the Gilman Scholarship for supporting my semester in Ecuador and ensuring I can commit to developing my Spanish, studying literature, and immersing myself in Ecuadorian culture. Thanks to the Gilman Scholarship I will also be more prepared to pursue a career in multilingual and global education,” says Jackson.

Sociology major Jennifer Woo ’25, from Brooklyn, New York, has been awarded a $3,500 Gilman scholarship to study at Bard College Berlin in Germany for spring 2024. “To be awarded this scholarship means to fully explore and pursue my dream of studying abroad with the freedom of having the financial support I hoped for,” says Woo. “My dad is an artist who has always pushed me to travel and search for culture, the arts, and new experiences, so being able to fulfill this dream while having the resources of education means the world to me.”

German Studies major David Taylor-Demeter ’25, from Budapest, Hungary, has been awarded a $5,000 Gilman scholarship to study at Humboldt University in Berlin, Germany via tuition exchange for spring 2024. “To combine my studies of German language and literature with a day-to-day experience of Berlin is an invaluable opportunity,” says Taylor-Demeter.

Since the program’s inception in 2001, more than 41,000 Gilman Scholars from all US states, the District of Columbia, Puerto Rico, and other US territories have studied or interned in more than 160 countries around the globe. The Department of State awarded more than 3,600 Gilman scholarships during the 2022-2023 academic year.
 
The late Congressman Gilman, for whom the scholarship is named, served in the House of Representatives for 30 years and chaired the House Foreign Relations Committee. When honored with the Secretary of State’s Distinguished Service Medal in 2002, he said, “Living and learning in a vastly different environment of another nation not only exposes our students to alternate views but adds an enriching social and cultural experience. It also provides our students with the opportunity to return home with a deeper understanding of their place in the world, encouraging them to be a contributor, rather than a spectator in the international community.”
 
The Gilman Program is sponsored by the US Department of State’s Bureau of Educational and Cultural Affairs (ECA) and is supported in its implementation by the Institute of International Education (IIE). To learn more, visit: gilmanscholarship.org.

Post Date: 12-15-2023

Viveca Lawrie

Sedona, Arizona, native Viveca Lawrie was discovered by a Bard College Conservatory of Music faculty member, who encouraged her to apply to Bard. The opportunity to attain a double degree, a bachelor of music in trumpet performance and a bachelor of arts in French studies, appealed to her. 

Viveca Lawrie

Viveca Lawrie wasn’t looking to come to Bard. She was discovered—by a member of the faculty at the Bard College Conservatory of Music. 
 
Lawrie recalls that Edward Carroll, who teaches trumpet, heard her play and asked her to apply to Bard. She enrolled in the Conservatory, as a bachelor of music student in trumpet performance, and in the College, as a bachelor or arts student majoring in French studies, with a concentration in medieval studies. “The double degree appealed to me,” says the Sedona, Arizona, native. “Trumpet and French are two things I enjoy.” 
 
Her first impression of Bard was of “a beautiful campus.” Her next impression was one of welcome. “It’s a small community and I felt part of it right away.” She soon met Karen Sullivan, Irma Brandeis Professor of Romance Literature and Culture, “and that set me up for the rest of my academic career.” She credits Sullivan with teaching classes “that were 100 percent fun,” and Carroll with “being on board with my love of contemporary music, and help with the technical side” of horn virtuosity. “Bard is very good at matching you with someone,” she says. 
 
At the Conservatory, she and colleagues played together and critiqued one another in “brass class.” “We are a tight-knit group. We really support each other,” she says. “Elsewhere there’s competition, but it’s never been that way here.” 
 
At Bard, “I definitely learned how to write an essay and push the boundaries of how to study.” A surprise was realizing how much she enjoyed academic research and “learning history from the perspective not of the conqueror but of those not in power. This is something that will forever influence how I approach all my research.”
 
With work for her Senior Project in Welsh Arthurian legend, and her Graduation Recital in trumpet, she has little time for extracurricular activities. But she works in the Conservatory audio-visual office on live streaming and recording, and gave AV assistance to a student-organized concert to benefit a Conservatory student whose family is suffering from consequences of COVID-19.
 
For Lawrie, that kind of outreach exemplifies the Bard community. “I meet people who are interested in what I’m doing and I’m open to what they’re doing. It’s healthy that we all show such curiosity.”
 
After graduation, she plans to apply to an MA program in Wales, then a PhD in comparative literature; she also wants to commission composers of contemporary works. “I think people should have multiple options,” she says.
 
How should high school students prepare for Bard? “Come with an open mind. I can’t stress enough how wonderful a preparation Bard’s Language and Thinking Program is for thinking about the world.” She adds, “And come uncomfortable, because you won’t be used to such focused thinking. But don’t feel afraid of it, and be open to listening to others.” 
 
Bard has changed Lawrie’s life in myriad ways. “I am a lot more confident,” she says. “As a homeschooled student, I learned to live on my own. Here I’ve learned how to make friends. I’ve learned—through the support system, counseling, and Upper College students who do tutorials—how to deal when things don’t go my way. Every professor lets me know I can come to them with any problem, especially in the Conservatory. And the French Studies Program has more of a support system than I could imagine, in terms of recommendations, tutoring, wanting to help. Not a lot of colleges have that.”

Post Date: 08-03-2022

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2024 Past Events

  • Wednesday, December 4, 2024 
    Olin Language Center  5:30 pm – 7:00 pm EST/GMT-5
    Meet faculty, students, and staff, learn about new courses, explore study abroad opportunities, and enjoy food and drink at the FLCL Open House!

  • Monday, November 4, 2024 
    Maxime Catroux, Editorial Director, Flammarion Publishing House
    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  5:15 pm – 6:30 pm EST/GMT-5
    Join us for Maxime Catroux's talk. The presentation will be followed by a roundtable on the inside story of publishing with Daniel Mendelsohn, Dinaw Mengestu, Anne-Emmanuelle Robiquet, and Marina van Zuylen.

  • Tuesday, October 1, 2024 
    A Reading and Conversation with Translators C. Francis Fisher and Kathleen Heil, moderated by Prof. Éric Trudel
    Olin Humanities, Room 202  6:00 pm – 7:30 pm EDT/GMT-4
    C. Francis Fisher is the translator of Joyce Mansour’s In the Glittering Maw: Selected Poems (World Poetry, 2024); Kathleen Heil is the translator of Meret Oppenheim’s The Loveliest Vowel Empties (World Poetry, 2022). Joyce Mansour (1928-1986) and Meret Oppenheim (1913-1985) were arguably two of the most important female surrealist figures of the 20th century. Fisher and Heil will be in conversation about their translations on Tuesday, October 1.

    About the translators:

    C. Francis Fisher is a poet and translator who received her MFA in poetry from Columbia University. Her work has appeared in The Yale Review, The Brooklyn Rail, and The Los Angeles Review of Books, among others. She has been supported by scholarships from Breadloaf
    Writers Conference, Brooklyn Poets, and the Vermont Studio Center. Her first book of translations, In the Glittering Maw: Selected Poems of Joyce Mansour, appeared with World Poetry May ’24.

    Kathleen Heil is an artist whose practice encompasses dance/performance and the writing and translating of poetry and prose. She is the author of the poetry collection You Can Have It All, forthcoming with Moist Books November 2024, and the translator of The Loveliest Vowel Empties, Meret Oppenheim’s collected poems (World Poetry, 2023). Her literary translations appear in The New Yorker, The Paris Review, The Threepenny Review, and other journals. Originally from New Orleans, she lives and works in Berlin.

  • Monday, March 25, 2024 
    Michel Delville, University of Liège
    Olin Language Center, Room 115  5:30 pm – 7:00 pm EDT/GMT-4
    Erasurism consolidates and expands cut-up, collagist, plagiarist, and other foundational techniques of avant-gardist détournement—intersecting on the one hand with the writing-through experiments of John Cage and Jackson MacLow, and with what Kenneth Goldsmith recently theorized and promoted as “uncreative writing”; and on the other with interventionist strategies which seek to reassert the critical and revolutionary potential of experimentalism against the aporias of postmodern pastiche.

    Erasurist poetics can be broadly characterized by its interdisciplinary and transmedial nature. In addition to literary examples this talk will be devoted to experiments with poetry off the page and other transmedial works such as Jochen Gerner’s abstract reduction of Hergé’s comics (TNT en Amérique) and Martin Arnold’s uncanny Walt Disney blackouts in Shadow Cuts. 

    Michel Delville is a lecturer, writer, and musician born in Belgium. He teaches English, American, and comparative literature at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He is the author or coauthor of ca. twenty books including The American Prose Poem (1998), J.G. Ballard (1998), Hamlet & Co (2001), Frank Zappa, Captain Beefheart, and the Secret History of Maximalism (2005; w. Andrew Norris), Eating the Avant-Garde (2009), Crossroads Poetics (2013), Radiohead : OK Computer (2015), Undoing Art (2017; w. Mary Ann Caws), and The Politics and Aesthetics of Hunger and Disgust (2017; w. Andrew Norris), as well as several poetry collections.

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